What's on

Romanian, Bulgarian, Serbian Greek, Macedonian, Moldavian melodies

Brahms; Poulenc; Bruch; Tchaikovsky; Taneyev; Berlioz; Mendelssohn; Weber; Villa-Lobos

Puccini: Cavaradossi's aria from «Tosca», Musetta's Waltz ("Quando me’n vo") from "La bohème", Arioso of De Grieux ("Tra vio Belle") from the opera "Manon Lescaut"; Bellini: Cavatina di Norma; Tchaikovsky: Herman's Aria from "Pique Dame", ; Wagner: Elisabeth's entrance from "Tannhäuser"; Verdi: Brindisi, "Traviata"; Donizetti: Duet "Prendi per me sei libero" from "L'elisir d'amore"; Verdi: Duke’s Ballad ("Questa o quella...") from Rigoletto, Violetta's Aria ("E strano… Sempre libera") from ''La Traviata'', Amelia's aria ("Ecco l'orrido campo") from the opera "Un ballo in maschera"; Offenbach: Barcarolle from "The Tales of Hoffman"; Mozart: Duet of Zerlina and Don Giovanni from "Don Giovanni", Aria of Leporello from Don Giovanni; Rossini: Basilio's Aria from "The Barber of Seville"; Cilèa: Adriana's aria from "Adriana Lecouvreur"; Borodin: Aria of Prince Igor from the opera “Prince Igor”; Leoncavallo: Arioso of Canio ("Recitar, Vesti la giubba") from "Pagliacci"; Meyerbeer: Dinora's aria from the opera "Dinora"; Glinka: Gorislava’s Cavatina from "Ruslan and Ludmila"

Rachmaninoff: "Don't sing, beauty, in front of me", "Spring Waters", Àndante cantabile for cello and piano, "Dance of the Gypsies" from the opera "Aleko", Prelude in G minor, Op. 23 No. 5, Polka V.R. for piano; Schubert: Impromtu, Op. 90 No. 2; Glinka: Sonata for Viola and Piano (unfinished); Schumann - Liszt: Widmung (Liebeslied); Bartók: 6 Romanian Folk Dances; Liszt: "Liebestraum", Etude in A minor (after Caprice No. 5 in A minor); Piazzolla: "Histoire du Tango"; Medtner: Canzona Serenata; Handel: Passacaglia; Widor: "Introduction et Rondo" for Clarinet and Piano; Rossini - Ginzburg: Fantasia on the theme of Figaro's cavatina from the opera "Il barbiere di Siviglia"; Izmailov: Matilda's Lullaby, Concert Waltz “St. Petersburg-Vienna”; Frolova: “On a Waltz Theme” (written specifically for ARG-Festival), world premiere; Gipsy Kings, J. Cameron: Louise's aria ("The Hero Behind the Mask") from the musical "Zorro"

Strayhorn: "Take the A train"; Khazanovich: "Memorandum", "Parisian sadness", "Told you so", "Walking around", "On the train", "Get another day", "St. Petersburg Nocturne"; Thiele – Weiss: "What a Wonderful World!"; Ellington: "Caravan"

Scorpions: "May be I, May be you"; Doors: "Riders of the storm"; Aerosmith: "Dream on"; Guns N' Roses: "Sweet child of mine"; The Beatles: "Yesterday", "Let it be", "And I love her"; The Rolling Stones: "Angie"; Nirvana: "Smells like teen spirit"; The Cranberries: "Zombie"; Linkin park: "Breaking the habit"; Rammstein: "Mein Herz Brennt"; Limp Bizkit: "Behind Blue Eyes"; Queen: "Show must go on", "Bohemian Rhapsody", "We Are the Champions"

Vivaldi: Le quattro stagioni; Bizet - Shchedrin: Carmen suite

Kreisler: "Tempo di marcia"; J. Strauss II: "Tric-trac" Polka; Dvořák: Humoresque; Brahms: Hungarian Dance No 6; Vossen: "Carousel"; ABBA: "Dancing queen" (arranged for the Masters of Russia orchestra by Igor Mitrofanov); Ermolin: “Festival in Venice”, collage on the themes of popular Italian melodies; Tarridos: Paso Doble "Canary Islands"; Two Celtic dances arranged by Konstantin Shakhanov; Malyarov: "Avreml", fantasy on Jewish folk melodies; Piazzolla: Tango "Oblivion", Tango "Allegro tangabile"; Buchholz: “Hello, Joplin!”, a collage based on Scott Joplin's ragtime themes; American country music “Black Mountain” arranged by Anatoly Tikhonov; Mitrofanov: “How are you, Joseph?”, a piece for orchestra based on the popular jazz composition of the 1920-1930s “Jozef”; Kuramshin: "Tatar motives"; Gypsy dance arranged by Valery Petrov; Derbenko – Petrov: “An old tune in a new way”; Belyaev: "Hymn of Love"